Category Archives: hypotheses and philosophies

Cheerily

I sit in orchestra and watch people. Or observe is a better word, due to my feeling of non-belonging. I see all sorts of bizarre movements and expressions that are solely a result of an individual’s idiosyncrasies. They are unrelated to the essence of the music being played. They are their egos. That is actually fine if they prefer to do things that way. My dilemma is that I cannot seem to get away with even the slightest departure from total discipline in body and mind without everything unraveling at the seams. All these other people appear to be humming along perfectly contentedly. And I have in fact asked people or alluded to the possibility that they are suffering from any of my same physical or mental symptomology, and almost always it is not the case. This is one reason why I have spent much time trying to look for answers to my cellistic issues outside the musical realm – I keep hitting a brick wall when I address it directly.
One other aspect to this is the question of whether others are striving for the same kinds of things I aspire to. If generally they are not, then it may be perfectly logical that they have none of the same problems I do. I assume people are on my page. I strongly wish that they are. It’s painful for me to even write that there’s a possibility that they aren’t. I despise being different, separate, and in the end isolated. I cannot believe the way people take all these human differences and/or commonalities in stride. I freeze up when I become aware of these things. And I freeze up if I try not to be aware. Maybe the only thing I can attempt to do is take my inability to take things in stride, in stride. That’s only once removed from other people, right? Not too bad.

originally published on 9/3/08

Millview

Driven to distraction. There’s a funny expression. Maybe I should research its derivation. It might have something to do with the alliteration. It seems to presume that one’s natural state is non-distraction, which one leaves after some unpleasantries. I suppose it can happen that way. But I think life goes more frequently in the opposite direction. You reach the end of your distracted rope, thereby having no alternative but to find some kind of peace of mind and soul.
Or maybe distraction is considered a good thing in our society, and in this statement. You are driven there due to the evilness of boredom and peacefulness. Non-action is a risky thing.

There’s a fine line between doing things as an act of expression or a means of distraction. It’s easiest not to even know that there’s a difference. I think this non-awareness leads naturally to mindlessness and boredom. But if you are more attentive to your environment, you’ll find you do have a choice. A choice between doing things just for the sake of doing them, or engaging in an act of creation.

originally published on 6/28/09

And

Contrarianism has a close cousin, procrastination. They are easily interchanged and mixed up. Waiting for the last minute to do something is akin to doing it when it really can’t be done well anymore, at a time that it really shouldn’t be done in the first place. But for the contrarian/procrastinators among us, sometimes doing something at a late date is still a far cry better than never doing it at all.
Of course I sometimes have a tendency to do things way too soon and too fast. It’s the flip side to procrastinating. So perhaps being a contrarian causes extremism in many cases. You’re sort of required to tap into the extremes, in order to get to the desired opposing feeling.

It’s just a lot of hoops to jump through. And I’ve been a little busy lately with actual life to accommodate these propensities in the way that I used to.

originally published on 12/5/10

Why, oh why

The cello is a way for me to exhibit me, both to my own eyes and to others. I’m equally unpredictable musically as in real life. I am now surmising that most everything is equivalent. I was not trained to think that. But that doesn’t make it irrelevant.
When I play the cello I am thinking about and feeling the same series of ideas and sensations as in regular life. Why shouldn’t I be? Any energy I am exerting to heal myself is just as easily directed to music-making. And anything misdirected in real life also falls short on the cello. I have always suspected that but I have never received solid confirmation from outside myself, so I couldn’t take it seriously due to my difficulty individuating myself from others. Are some things the problem and the solution simultaneously? I can’t individuate, but I must.

The important aspect of this is how I apply this learning theory to my music. I need to be sensitive to how my feelings reflect in my performance. It’s all in there if I listen for it. If I am feeling unfulfilled, for instance, I will create music in a stifled way. But it’s not even that simple. Because like life, the music is in flux. The emotional journey and processes are more reflective than a momentary mood swing. It is trickier and subtler than what I might consider my surface state of mind.

originally published on 12/19/06

Too Informative

Rehumanize. That was the word running through my brain last night. Don’t be such a angry robot, as is foretold in those Ghost in the Machine songs. I’m glad I threw that back into my cd player yesterday.
It reminds me of my previous ideas about a journey versus destination approach to fulfillment. It’s my hopping from solution to solution which is really more than half the point, although I do need those landing pads to hop from.

So last night it was Rehumanize I was landing on. And it had a slightly different meaning to me than in previous listenings. It was about letting go, not forcing, not using negativity to accomplish things. And I noticed how nicely it dovetailed with my previous blog’s (1/06) enumerated points. It was a more soulful, organic version of trusting that my hands know what they’re doing and being open to seemingly unrelated muscle groups participating in the music-making (goings-on). It encompassed those things and much more, plus it seemed less like mental trickery and more like spiritual comfort.

originally published on 1/13/08

Lacadosic

Human. I am one, apparently. Against all I’ve been taught to believe, I am but a guy, with the full gamut of weaknesses and foibles that goes along with the gender and species.
If I can courageously accept this humanity, who knows what may lie in store? If I am allowed to err, I may end up taking a risk once in a while. I may also relax my ever-present vigilance and tension and simply enjoy the act of being alive (versus the alternative – dead and buried). I have found that it is pretty sucky not to fess up to my humanness. You end up getting sucked into all the negativity of other people who also aren’t enjoying their humanness.

I did recently play one concert with this in mind, and it worked out quite well. Allowing myself to be vulnerable and trusting of my most essential self took a weight off my shoulders. It gave me a psychological calmness which radiated to my physical state. I ended up being far more tension-free than when I am only focusing on my physical state. I also ended up unintentionally removing the burden of feeling irked by those around me, being that they are just human, too. Imagine that!

originally published on 3/15/08

Binders

I’ve known musicians who conclude that in order to be happy and fulfilled, they must find more meaning in life than simply excelling at music-making. Although I have explored many other facets of life, in my heart I never really left the womb of music. I have even suggested to people that everything they do should be in the service of their music, philosophically speaking.
I guess today at the bookstore I found a chink in that armor/cocoon. There really must be more to life than music. There is obviously more for 99% of people in the world. Maybe it would have to be a birth of sorts for me – and just as difficult and shocking to my system. Maybe that is one of the main loops I get stuck in: I try to expand my cello-oriented perspective, find it too daunting and alien, and soon fall back to where I started. When I peruse my blog entries, I see how often I have felt like I cannot grow or progress from a place of dissatisfaction, no matter what steps I take. This could explain why.

originally published on 6/20/08

Inverness

So, the theory is, I can begin limiting myself (in a way) to behaving not like an angel, not like a devil, but somewhere in that gray area in between. If I can sustain this behavior pattern long enough, it will force hidden feelings out of me which I have heretofore masked via those extreme states, which are somewhat obsessive and highly distracting states, really. The more I sustain the gray, the more things will come out of me which I have kept hidden, and which are only doing me harm in there. I must just be normal. And I must be in a state to handle what comes forth from this theoretically more natural place I will be in, which is not one extreme or another. Just being.

originally published on 3/29/07

Lefty Loosy

I realized something. Music-making is really just the tip of the iceberg. It is the cherry on top. There are so many other ways to forge your way through life, to while away the hours of a day. Those things are the journey. Music-making is just a rest stop. The best music comes from an accumulation of many other things. The pith of those other things will determine the quality of the music. I have always thought you can work on music just on its own, but now I am changing my mind.< In addition, I can now see why too much awareness and self-reflection detracts from the overall quality of the music. Making the music be the focal point will unravel all that it is made of. Music should be allowed to be abstract. Unfettered. originally published on 6/10/07

Blanket Statement

Upon further investigation (a reading session with some friends) I better understand what makes music-making so elusive and challenging. The pithiness inside yourself I referred to earlier sustains you in the midst of creating the music. One can so easily cave in on oneself if not for that support system. The richness of the music, the grandeur and beauty, must be counterbalanced by whatever one might experience in the daylight of real life.

The thing is you cannot substitute will power or intellectualization for life experience. That is the temptation, because it seems so much more efficient. However, the more time-consuming path of making my life enriching will actually accomplish what I need. And in the end it will be quicker. I won’t keep going in circles, for one thing.

originally published on 6/11/07